It has been a tough time for a piano player but I am finally gravitating against some kind of balance again. I even have had some practice time that was not too bad. And I had my first piano lesson for this year last Thursday. (Which made me prioritize practice time over blogging, sorry about that.) A good lesson. The student, however – me – was not too good of course, but I enjoyed the hour a lot anyway.
I am proud to say that the Chopin 10:6 etude is starting to get shape, or however you express it. No, it is still very far from recital level etcetera, I am not trying to pretend I am Ashkenazy or something here. It is not even reasonably good, but when I look in the mirror I can conclude that I have come far from where I began and that is what counts. I also believe it would be of great benefit to memorize this visually, as the pattern on the keys is far more comprehensible and logical than the note annotation.
“And then you can spend a lifetime refining it”, as my teacher said. We agreed that we will work with this etude for one more lesson, then we put it aside. (I keep on working with it on my own, that is.) Instead it is time to tackle the 10:3 etude. Earlier I wrote that I started with the section that looked hardest and I think that was a good idea. The “punishment” is that this etude is as ready to be played right now as a helicopter is ready to fly when you have dismounted it totally and spread the pieces over the workshop floor. On the other hand, this challenging section is not that difficult anymore.
I can only play it very, very slowly but it has got some kind of structure. The coordination between the hands is quite amusing, what a great idea he got here. Same chords in both hands, but moving in the opposite directions nearly all the time – this creates a funny sound effect.
My teacher gave me advice on how to practice this section in order to play it technically right, lot of bounce work here, and this is what I am working with now.
The other tricky part on the previous page was not nearly as hard. It sounds more complicated than it is. Aaaand then there is the rest and nothing is trivial. I try a bit here and there, I have listened to some recordings, trying to get a grip of it. Yeah, this will need a lifetime, I know, but I think it is fun.
Then we talked about analyzing and music theory. Sometimes I get annoyed with myself because I cannot identify chords properly. Yes, I know the basics, but I constantly see a need for more deeper knowledge.
Oh, I need some more lifetimes …
Carreño and Mendelssohn have been put on hold for some weeks now, as my practice time over Christmas was so hopelessly restricted, but maybe today is the day?